Songs as Data: The Song Chart Meme Archive
The founding format: take a lyric, treat it as a dataset, and render it in the dullest business chart available.
Sixty-five charts in this collection have the same construction. Somebody took a song they already knew by heart, decided its words were a dataset, and drew the result in a format designed for quarterly reporting. That is the whole trick, and it is the trick the site was named for.
The strongest examples are almost all from 2008, which is when the format still had rules. Number of Calls Per Year to 867-5309 takes a phone number from a chorus and plots it as call volume over time. Days I Need Your Love, Babe fills in a week. Things To Do At The YMCA reads the acronym as a facilities list. Air Speed Velocity of Various Objects According to Monty Python is not a song at all but obeys the same discipline: a fixed source, a mundane chart type, no invention.
Why the constraint made it better
A chart about nothing in particular can put anything on either axis, and it usually does. A chart about a song cannot. The lyric is public, the reader already has it memorised, and every category on the chart can be checked against the words. That is a real constraint, and it produced the most disciplined work in the archive.
You can watch it slacken. The 2008 entries here are transformations — Demographic Makeup of the Midnight Train to Anywhere is a census of a train that exists only in a chorus, Yellow Submarine Residential Population the same joke applied to a submarine. The 2010 entries at the end of the collection are mostly captions: a phrase, a reaction, a graph attached afterwards. Same site, four years apart, and the format has stopped doing any work.
The Beatles problem
More charts here are about the Beatles than about any other subject, and there is a structural reason. Their lyrics are unusually enumerable — And In The End plots an ending, Breakdown of Lyrics to “Hey Jude” counts the repetitions in a coda that is mostly repetition, What you need according to the Beatles reduces a catalogue to a single requirement. A chorus that lists things is already a bar chart waiting for axes.
The same property explains the other recurring subjects: songs that count, songs that name days, songs that give instructions, songs built on a refusal. Don’t is a chart of a single word. Easy Come, Easy Go plots a symmetry the title hands over for free.
Where the lyric is the punchline and the chart is the setup
A few in this collection invert the usual order. Instead of using a chart to explain a song, they use a song to explain a chart. The Hills Are Alive asks what “alive” would mean as a measurement. What Time Is It? answers a rhetorical question with a clock. Things She Could Have Blinded Me With turns one line into an exhaustive list of alternatives, which is what a pie chart is for.
Survey of those movin’ on up is the most technically honest chart in the collection: it names a population, states what is being surveyed, and reports a result. It is a real survey of an imaginary group, and the form is impeccable.
The unrecovered half
Thirty-two entries here have no image. That is a loss of just under half the collection, and the reason is dates rather than content: the song chart meme era ran earliest, its files sat on the oldest hosting arrangement, and the further back an image URL goes the less likely any copy of it is still reachable. The titles are kept because a title, a date and an address are what the record actually contains, and inventing a chart to fill the gap would be worse than leaving it visible.
- Charts here
- 65
- Images recovered
- 33
- Published as plates
- 1
- Referring domains
- 84
- First posted
- Mar 2008
- Last posted
- Oct 2010
The charts
In publication order. Sides run in tens, the way a record does. A chart marked as a plate has its own page and its own retrospective; the rest are published here, at the addresses they held when they were posted.
- A1

Mo’ Money Mo’ Problems
- A2

How much I got on it
- A3
Recommended Percentage of Wiggling it
- A4

Decision vs. Amount of Ensuing Trouble
- A5
Plays the Fool (Sometimes)
- A6
Who Started This Fire??
- A7
Amount I’ll Be Watching You At Various Times of Day
- A8
“Use the _____, Luke”
- A9

GOO GOO GOO JOOB
- A10
- Side B
- B1

And In The End
- B2
Nah, Hey, Goodbye
- B3

Survey of those movin’ on up
- B4
I Want My…
- B5
pie chart representing colours i’m back in
- B6

Situations in which I Cannot Live
- B7

Easy Come, Easy Go
- B8
Yellow Submarine Residential Population
- B9

The Hills Are Alive
- B10

Things We’re Gonna Need
- Side C
- C1
Effects Of Cecilia
- C2
Jenny
- C3

Break Me Off A Piece Of That
- C4
Tootsie Pop
- C5
She Told Me To Walk
- C6

Girls That Rick Springfield Wants
- C7
Structure Of Ass
- C8

What Time Is It?
- C9

Miles Walked
- C10

We Built This City
- Side D
- D1
My Coconuts
- D2
Do You Know Where Your Lion Is?
- D3

Hold Me Closer
- D4
People & Things That Have A Name
- D5
Lola
- D6

Things Required Where You Are Going
- D7

Demographic Makeup of the Midnight Train to Anywhere
- D8

Advice Given By the Witch-Doctor
- D9

Things To Do At The YMCA
- D10

Let’s Dance
- Side E
- E1
Cuz I’m
- E2

Things She Could Have Blinded Me With
- E3
Wax
- E4

Don’t
- E5
Bucket Repair Flowchart
- E6

How to Cure a Fever
- E7
These are few of my favorite things
- E8

Things That Come After 69
- E9

Number of Calls Per Year to 867-5309
- E10

Places I Want to Rock Down To
- Side F
- F1
Misheard Lyrics to Rock the Casbah
- F2

The Answer
- F3
Don’t Cry
- F4

Easy come, easy go, will you let me go?
- F5

MATERIAL USED TO BUILD THIS CITY
- F6
Not in the face
- F7
On your period
- F8
Quick use your totem
- F9
Its hip to be quadrilaterals
- F10
Time to Face This Placebo Head On
- Side G
- G1
Thumbs ftw
- G2
Deal with it
- G3
Afternoon delight
- G4

Like a Reverse Strawberry
- G5

No Direction Home
